Segundo de Chomon and His Ciinema Essay Example | Topics and Well Written Essays - 750 words

Segundo de Chomon and His Ciinema - Essay ExampleAs the study stresses on angiotensin-converting enzyme side the cinema is documenting reality, the reality of the train coming to the platform. On the separate hand the same cinema is making the unreal look real, by making the viewer believe that the train coming towards him is real. These two qualities of Cinema guide to the division of it into documentaries and feature films or fantasy films .It was the French magician Georges Melies who first explored the possibility of fantasy created through cinema He was the one to expenditure what we straight call the special effects in cinema. He discovered the cinematic special effect called the stop trick, in which objects disappear from the screen. He is the one to use the photographic effect called the multiple exposure, and also time lapse photography. He achieved all this with in a year after the Lumiere show, thats in 1896. With his inventiveness, pettishness and the visual power M elies could create magic on the screen, so that he was called the Cine magician. According to Robert Philip Kolker, Lumiere and Melies are posited as progenitors of two separate modes of cinematic expression, the one photographing things existing in the world, the other creating fantasies in the studio. Years later Teruel Segundo de Chomon y Ruiz took forwards this fantasy and magic of cinema initiated by Georges Melies, both of them in France. Chomons Les Kiriki Acrobats Japanois is a two minutes thirty seconds film that shows the Meliess effect on him. This film was made one hundred and two years ago in 1907.It shows a group of dances who look like Japanese acrobats. Their samurai hair style is absurd and not correctly matching the samurai style at all.